Trespassers
Julia O’Faolain
2013 • Faber & Faber
My topics are exile, memory and the imagination, and I plan to approach them through a story which has been haunting me. It is an old one about a mermaid: one of those mythic creatures dreamed up by lonely sailors and fishermen who fancied that they had seen beautiful naked women sitting on rocks among the waves. Possibly what they really saw were albino seals gleaming in the moonlight. Maybe the sailors were dazzled, misled by wishful thinking – or had had too much to drink. In the story I am thinking of a fisherman has children by a mermaid, and fearing lest she leave him and go back to the sea, removes and hides her tail. The story has variants but in the end she always finds the tail and goes. I think of the story as being about exile and the way exogamous marriage can separate women from their kin. I fancy, too, that the tail figures a submerged, faintly monstrous part of us: ancient amphibian memories and, possibly too, more recent tribal impulses which do not fit the way we want to live now.
— Julia O'Faolain
Trespassers
Julia O’Faolain
2013 • Faber & Faber
My topics are exile, memory and the imagination, and I plan to approach them through a story which has been haunting me. It is an old one about a mermaid: one of those mythic creatures dreamed up by lonely sailors and fishermen who fancied that they had seen beautiful naked women sitting on rocks among the waves. Possibly what they really saw were albino seals gleaming in the moonlight. Maybe the sailors were dazzled, misled by wishful thinking – or had had too much to drink. In the story I am thinking of a fisherman has children by a mermaid, and fearing lest she leave him and go back to the sea, removes and hides her tail. The story has variants but in the end she always finds the tail and goes. I think of the story as being about exile and the way exogamous marriage can separate women from their kin. I fancy, too, that the tail figures a submerged, faintly monstrous part of us: ancient amphibian memories and, possibly too, more recent tribal impulses which do not fit the way we want to live now.
— Julia O'Faolain
Description
This is the memoir of the writer Julia O’Faolain, who was born in London in 1932. She is the author of seven novels, four collections of short stories, and with her husband edited the study Not in God’s Image: Women in History from the Greeks to the Victorians (1973).
Excerpts
Interviews
Reviews
- Natasha Tripney, The Observer
- Patricia Craig, The Independent
- John Montague, The Irish Times
- Victoria Glendinning, The Spectator
- Naomi Frisby, Bookmunch
Audio
- BBC: Night Waves - Julia O'Faolain Discusses Trespassers
- BBC: Front Row - Julia O'Faolain Talks about her Memoir
Video
Resources For Readers
- Ricorso: Biography and Critical Resources
- The Independent: 'Forgotten Authors No. 41 - Julia O'Faolain'
- The New Yorker: 'The Religious Wars of 1944' by Julia O'Faolain
- The New Yorker: 'Under the Rose' by Julia O'Faolain
- The New Yorker: 'Love in the Marble Foot' by Julia O'Faolain
- Google Scholar References