I’m always thinking about the reluctant reader when I write. That’s one of the most satisfying things about writing: that I get young readers who say, ‘I’ve never finished a book before, but I read your whole book.’ That for me is success and says that I’ve done it right and, hopefully, I’ve done it without sacrificing the language. That’s what I love about verse: you can speak to the struggling reader, while also speaking to the reader who is very competent who will find different things in the language. There are layers to it.

Sarah Crossan

Moonrise

Sarah Crossan

2017 Bloomsbury

I’m always thinking about the reluctant reader when I write. That’s one of the most satisfying things about writing: that I get young readers who say, ‘I’ve never finished a book before, but I read your whole book.’ That for me is success and says that I’ve done it right and, hopefully, I’ve done it without sacrificing the language. That’s what I love about verse: you can speak to the struggling reader, while also speaking to the reader who is very competent who will find different things in the language. There are layers to it.

Sarah Crossan

Description

Seventeen-year-old Joe hasn’t seen his brother in ten years. Ed didn’t walk out on the family, not exactly. It’s something more brutal.

Ed’s locked up — on death row.

Now his execution date has been set, and the clock is ticking. Joe is determined to spend those last weeks with his brother, no matter what other people think … and no matter whether Ed committed the crime. But did he? And does it matter, in the end?

This poignant, timely, heartbreaking novel asks big questions: What value do you place on life? What can you forgive? And just how do you say goodbye?

 
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